Ink and Riffs-August

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

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“Rook: Exodus” (comic)
Published through Image Comics, “Rook: Exodus” takes place hundreds of years from now. The man known as Rook was once a simple farmer who fled the crumbling Earth for a new life on the planet Exodus; a terraformed planet where all of nature, including its imported animal population, was completely controlled by humans called Wardens.

But when Exodus’s world engine failed, the Wardens’ power fell into the wrong hands, creating chaos and mass evacuation…for those who could afford it. The rest, like Rook, must scavenge for an escape vessel as the war for control of what’s left of Exodus begins.

It was the cover that got me into this, but the story is what kept me there. Geoff Johns has written a story that is gripping, intense and very well thought out. It was great to learn more of Rook’s backstory and the technology of the Wardens’ helmets.

Artist Jason Fabok and colorist Brad Anderson have brilliantly crafted a borderline apocalyptic, yet at the same time, absolutely beautiful world. In all, this book was a real thrill to read.

Head to https://ghostmachinepro.com/series/rook-exodus/ for more.

Artifact (audiobook)
I just finished the audiobook version of “Artifact” by Jeremy Robinson and voiced by R. C. Bray. Set in an isolated Alaskan town, the book follows Sheriff Colton as he investigates a secret laboratory where a generative AI capable of “bioprinting” living organisms unleashes grotesque monstrosities.

The book is extremely well written and has a great formula, tension and intriguing characters. Jeremy has created a very creepy, tense story, similar to the master of these tales, Michael Crichton. I just kept listening to each chapter waiting for the next disaster. The description of the different bioprinted creatures was unique in its unsettling nature and I just loved it.

The voicework by R.C. Bray is really amazing and captures the sense of each part perfectly. He really nails each character and gives them a distinct sound that makes it easy to tell them apart. He also projects their moods, whether that’s excitement, fear, or downright terror. A real master at work.

If you need a new listen and want a great story with monsters, creepy labs, all set in the middle of nowhere, check this one out.

Find “Artifact” on Audible through this link.


RIFFS
“More” (music)
“More” by Toronto-based singer-songwriter Bree Taylor is a real powerhouse of a song, with a strong guitar opening that stays there throughout. It’s the kind of song that would have hands raised during the chorus and eyes locked on the stage. An artist to watch to be sure!

Check out https://breetaylor.com for the rest of her music!

“Jack the Lad” (music)
“Jack the Lad” by Robin Shaw is a wonderfully addictive song. I loved the jazzy, big band flow and style, which paired perfectly with Robin’s strong voice. I’m really looking forward to what else the Norfolk-based singer-songwriter has in store.

Check out the rest of Robin’s music on Spotify.

“Broadway” (music)
“Broadway” by J. Henry is a beautifully composed song that blends an array of styles, including theatrical and gospel, to create a story of chasing a dream, no matter the obstacles. It’s a wonderful, heartfelt song that instantly connects with the listener.

Find more at www.theejhenry.com.

“How She’s Got It” (music)
I really loved the building opening and blend of electronic and rock sounds in “How She’s Got It,” by the Italy-based, alternative-industrial rock band Noir Addiction. The song “moves through fragments of memory and shifting emotional states, reflecting on connection, distance, and the subtle erosion of belief,” according to the release, and is part of their new album, “Pretty Things Don’t Last,” out now.

Check out the release of the band’s sound at https://www.noiraddiction.com/.

Five by Five—Cowboy Mouth to take the stage at Boston’s City Winery

By Max Bowen

Cowboy Mouth is headed to Boston to perform at City Winery on Wednesday, Aug. 26. Cowboy Mouth’s live shows have made them a staple of the national club and festival circuit since the mid 90s, playing thousands of shows over the years.

The band’s leader, Fred LeBlanc, in addition to handling drumming duties, is also the lead singer and frontman, and writes a majority of the band’s music on guitar. Fred joins us to give readers a preview of the show, his take on Boston and how this 30-year-old band

For those who have never seen Cowboy Mouth, give us a rundown on what the shows are like.
The thing I always say is that if The Neville Brothers and the Clash had a baby it would be us. Also, a while back we had a fan from the South say that we were just like a gospel tent revival, without the religion! I think those two descriptions are pretty on point. If you come to a CM show we will do our best to make sure you leave feeling better than you have in a long time through the celebratory healing power of southern American New Orleans based rock ‘n’ roll.

What’s your take on Boston as a place to perform?
Are you kidding me? Boston is one of the best places to perform in the entire country! That’s because the people there know how to have a good time and don’t put up with any bullshit! Boston has history, culture, excitement, and a rich rock ‘n’ roll heritage that you can feel in the air. You guys know how to have FUN! People in Boston are very similar to people in New Orleans in that both know the importance of having a good time and don’t let anything get in the way of that! And during these crazy times we are living in, there’s something to be said for the value of having someplace you can go in order to dance, scream, and let go of your worries for a little while. That’s what a Cowboy Mouth show is all about!

I saw that you’ve got a new song coming out each month. What’s planned for the rest of the year?
More songs, more shows, more bringing our rock ‘n’ roll Mardi Gras to the world, and more kicking musical booty!

How did the band get its start?
It was a project I had been trying to put together for a while and was about to give up on… until John Thomas Griffith walked in the room. He was the final missing piece that made it all work and we’ve been doing it ever since.

I read that the band has been together for three decades. That’s amazing! What makes the band work so well that is has been around so long?
It seems like a long time, of course. But it also feels like it started just yesterday. The energy and passion of the band is what it always has been: a group of people playing the best they can with all their hearts. Individually we were all pretty different people. But I think that’s one of the strengths of any creative unit, the whole being greater than the sum of its parts. Cowboy Mouth has always been very fortunate in that regard. Also, we try to make sure that we laugh a lot. We are entertaining each other on stage as much as we are the audience. It’s just a big giant JOYGASM. There’s a lot of appreciation in the fact that we’ve been able to do this to such a high standard for so long. I don’t think any of us taken for granted. It’ll be one hell of a great night, and y’all should all be there!

Ticket link to City Winery show: https://shorturl.at/WNJJm

Most recent single on Spotify: https://open.spotify.com/album/7LY2tUWgMyOk8VoxMxJSkw?si=LQ8jhKFGSyCw5RFCzK6KJg

Band Links:
www.cowboymouth.com
https://www.facebook.com/cowboymouth1
https://twitter.com/CowboyMouth
https://www.instagram.com/cowboymouthofficial
https://www.youtube.com/@cowboymouth

Five by Five—Kurt Baker’s ‘Got It Covered’ returns on vinyl

By Max Bowen 

Kurt Baker and Oglio Records are bringing a cult favorite back to life. Originally released in 2010 as the explosive introduction to Baker’s solo career, “Got It Covered” will finally receive its long-awaited vinyl debut in 2026 — newly remastered for both vinyl and digital platforms and led by the release of the first single, Baker’s electrified take on Blondie’s classic “Hanging on the Telephone.”

The official video for “Hanging on the Telephone” is streaming now. Watch the video here.

Produced by Linus of Hollywood and featuring guest appearances from Kay Hanley (Letters To Cleo) and drummer Adam Marcello, “Got It Covered” captures Baker channeling the spirit of late-’70s and early-’80s new wave, punk, and power pop through seven adrenaline-charged covers from artists like Elvis Costello, Joe Jackson, The Knack, Nick Lowe, and The Vapors.

Learn more at https://linktr.ee/kurtmiltonbaker.


Let’s begin with the return of “Got it Covered.” How does it feel to see the return of this release and on vinyl?
Well, it feels really great. I've always wanted to have this album properly released on the vinyl format. When these old power pop new wave songs were originally released, they came out on vinyl — and not CD — so in that sense, these covers are in the grooves that they belong in. When "Got It Covered" came out in 2010, it was released digitally, and the whole streaming thing was just getting started, and of course it came out on CD. In my mind back then I still wanted to have it out on vinyl, but it wasn't in the cards. Now 16 years later, here we are!

How would you describe the sound of this album?
Gotta give some major props to Linus of Hollywood, who produced this record and Dave Trumfio, who mixed it. I've always loved how this record sounded — and even now, the mix doesn't feel dated. Now, in terms of vinyl — it was mastered for vinyl by Justin Perkins, and because it's just seven songs on the 12-inch LP, the songs have bigger grooves. Thing sounds massive. Turn it up.

Is there a particular song that resonates with you, even today?
Funny enough, a track like "Is She Really Going Out With Him?" by Joe Jackson makes me chuckle a bit, but it always has….I think my favorite cover on this album is "Cruel to Be Kind." Nick Lowe is one of my all-time favorites, and his backing band Los Straightjackets told me once how much they enjoyed the cover. That really meant a lot to me.

Is “Got it Covered” being released just as it first was?
Absolutely not! This album got a proper facelift. As mentioned, it's been mastered for vinyl, and the artwork actually features the originally intended front album cover photo. The graphic design was done by my friend Nat, really talented guy who plays in some great bands like Brower, Nancy and Josephine Network here in NYC. A legendary (although somewhat unknown and severely underrated) producer/musicologist Dick Hazelwood was kind enough to do a write-up for the inner sleeve artwork. I met Dick Hazelwood years ago; I don't think that's his actual last name — more of a stage name type of thing. He doesn't have any teeth anymore but he can definitely still write so i'm honored to have him involved in this release.

This kicked off your solo career. What have been some of the highlights?
There have been a ton of great times over the years. Playing on the sand dunes in the middle of the North Sea in Germany was wild. I had a drunken sing-along with Jimmy Fallon once in the East Village. Opened up for the Offspring once at this big old ballroom on the New Hampshire coast. It was built in the 1800s. Anyway, Offspring were suckin' so much power out of the place with their custom sound system recently flown in from Russia, that when we went to play, all our amps blew up. I don't know if that was a highlight, but I'm gonna use this opportunity to say — Dexter, if you are reading this right now, i'll take either a Venmo for $200 bucks or a truckload of Cheetos.

Rawmny addresses the influence of his different sides in ‘Habeshinated’

Photo credit: Bingham Kiros

By Max Bowen

Toronto-based artist Rawmny Wildcat, (pronounced Raw Money Wildcat) recently released his new single "Manew," the lead track from his album 'Habeshinated', both out now.

Born in Addis Ababa and now in Toronto, the producer, songwriter and vocalist has crafted a song that fuses hip hop, soul and East African sound into a powerful declaration of who he is and where he comes from.

"Manew" means "who is it" in Amharic, and Rawmny turns that simple question into a thesis on identity, lineage and earning your place.

Website: www.rawmnywildcat.com

Tell me about your album “Habeshinated” and what people can expect?
My album, “Habeshinated,” is a deeply personal fusion of hip-hop, R&B, Afrobeat, and Ethiopian musical influences. It reflects my journey as an Ethiopian-born artist growing up between two cultures and finding my voice in Toronto. People can expect powerful storytelling, infectious rhythms, soulful melodies, and thought-provoking lyrics about identity, love, culture, migration, Africa, and the diaspora experience. I wanted to create something that feels authentically African while still sounding global and contemporary. “Habeshinated” is more than an album—it’s a celebration of where I come from, where I am, and where I believe we can go. I invite listeners to experience the culture, energy, struggles, dreams, and spirit behind Rawmny Wildcat.

Did this take you in any new directions in terms of music or lyrics?
Absolutely. “Habeshinated” pushed me into new creative territory, both musically and lyrically. I became more intentional about blending Ethiopian sounds, rhythms, and cultural references with hip-hop, R&B and Afrobeat. Lyrically, I allowed myself to be more vulnerable and reflective, exploring identity, immigration, love, African unity and the experience of living between cultures. I also experimented with different flows, melodies, and storytelling approaches, rather than staying within one sound. This album challenged me to embrace all sides of who I am as an artist and as an Ethiopian-Canadian. I believe “Habeshinated” represents a more mature, confident, and culturally connected version of Rawmny Wildcat.

I read that the album came about as a sort of personal homecoming. What was the experience for you?
Creating “Habeshinated” felt like coming home to myself. Growing up in Ethiopia and later moving to Canada, I’ve always carried two worlds within me. For years, I explored different sounds and identities, but this album gave me the freedom to reconnect deeply with my Ethiopian roots and the memories, rhythms, and stories that shaped me. It was emotional because I realized that home isn’t only a place—it’s also a feeling, a language, a culture, and the people who shaped you. Making this album allowed me to embrace that connection without losing the Canadian influences that are also part of me. “Habeshinated” is my way of bringing those worlds together and celebrating the journey.

How did this affect you personally and as an artist?
Personally, “Habeshinated” gave me a deeper sense of identity and belonging. It made me reflect on my journey from Ethiopia to Canada and appreciate how both cultures have shaped who I am. As an artist, it gave me the confidence to stop trying to fit into a particular box and fully embrace my influences. I became more fearless in blending Ethiopian sounds and storytelling with hip-hop, R&B, and Afrobeat. The process also reminded me why I started making music in the first place—to tell authentic stories and connect with people. I feel that “Habeshinated” represents a more honest, mature, and confident version of Rawmny Wildcat, both creatively and personally.

What’s the message of Manew that you hope the listeners take away from this?
With Manew, I want listeners to reflect on identity, connection, and the journey of discovering who you really are. The song carries a message of self-awareness and cultural pride, while also encouraging people to embrace their roots and remain true to themselves. For me, Manew is about asking the deeper question: “Who am I?”—not just as an individual, but in relation to my culture, my experiences, and the world around me. I hope listeners feel the emotion and energy of the song, but also connect with its deeper meaning. Ultimately, I want Manew to inspire people to own their story, embrace their uniqueness, and never be afraid to ask themselves that question.

Ink and Riffs--July 2026

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.


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“The Glass” (comic)

Lara and Suni are childhood friends who meet again after 10 years. Suni is a member of the world’s most successful idol group, “The Glass.” Lara is looking for a job while planning her wedding with her fiancé, Mark. After a small accident, they meet again and Lara gets a job as Suni’s manager. However, Suni has a secret—she’s been in love with Lara since childhood, and is determined to keep the promise they made to each other when they were little….to marry her.

I came across this series and have been hooked ever since. It’s intensely emotional, with scenes of Lara bearing the burden for what she feels are her mistakes, while at the same time talking around her feelings. Suni, meanwhile, has to deal with the repercussions—both to her and the group—when things don’t go the way she hoped. The art is another strong point in the series, with amazingly detailed scenes done with a great color palette that brings it to life in a unique way.

Check out the series on the Webtoon app or at https://tinyurl.com/visit-the-site-here.

“Ferocious” (comic)

This five-part series, written by Luke Piotrowski, illustrated by Emanuele Ercolani and out through Mad Cave was something of an impulse read, but well worth it.

A tavern boy’s sheltered life is overturned by the arrival of a towering, draconic woman, a wayward soldier from a distant war who single-handedly lays waste to his entire village. He swears an oath of righteous vengeance, but in order to fulfill it, he’ll have to seek training… from the warrior woman herself.

This series begins as a fantasy revenge thriller, but really evolves as the pages turn. The boy, named “Wren” by the demonic woman who wipes out his town, begins to form a connection with her, despite his desire to end of her life. We learn more about the war and how it’s resulted in the woman’s race being unable to have children, meaning that their time is coming to an end. The emotion in certain scenes is really powerful, and the ending…well, you’ll need to see it for yourself.

I really liked the artwork here. Ercolani really brings the intensity in each scene, and there’s gore aplenty for those that like that sort of thing. The emotional scenes are really brought to life through the art, and these are some of the best examples of what Ercolani can do.

Check out more at https://tinyurl.com/3ys4m4mz


RIFFS

“You Are Here” (music)

The new album by old favorites One Time Mountain is rock just as it should be—intense, passionate, and filled with lines that you cannot help but shout. The 10-track album come as a the band recently debuted a new lineup, and I’d say the team is already a well-oiled machine.

“Overdrive” is my top pick, which was hard to do. The sound gets your fist pumping and brings an infectious energy. “Goin Crazy” speaks to hitting the town on a Friday night and I think we can all relate to the desire to just cut loose after a long week. The album also incudes acoustic versions for “Goin’ Crazy” and “Understand,” and offer a very different but no less awesome a sound.

This an insanely good album, really showcases the dedication that OTM has to the music and you really need give it a listen.

Check out more by the band at https://www.onetimemountainmusic.com.

“Reverberations” (music)

I was totally hooked on “Reverberations,” the debut single by The Sirens. The song’s about being stuck in a relationship that you refuse to leave, and the strong vocals and kickass instrumentals really carry it through. Can’t wait for what this duo does next.

Hear more of the band’s music at https://tinyurl.com/yy79vc2y.

“Pirates” (music)

“Pirates” by Shelby Natasha, from her “It Was Mine” EP is a beautiful song written as a dedication to the artist’s brother, who passed away after a decade-long battle with addiction. You can really feel the emotion and connection in this song, which includes audio samples from home movies.

Shelby’s music can be found at https://shelbynatashamusic.godaddysites.com.

Ink and Riffs—April edition

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.


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“Astonishing X-Men” (comic)
Not a current title, but after checking out the adaptation on WebToon, I decided to dive back into this one. I love the sarcastic, witty dialogue, and Joss Whedon really shines as the writer for this series. The different plots come after some really dark storylines (genocide at Genosha and Jean Grey dying) and you can see how it weighs on the team. But hey, it usually works out…right?

Check this out on the Marvel Unlimited app.

“When Shadows Burn” (book)
I’ve been listening to the audiobook of “When Shadows Burn” by Todd Brown and it’s a really captivating tale. Here’s a quick rundown:

In the heart of Raven’s Cross, Virginia, the decaying Scott house looms. Its broken-window eyes watch a town desperate to forget. When Roxy, a teenage girl, vanishes into a sweltering night, long-buried fears erupt, and suspicion turns savage. The townspeople turn on the newcomers, blaming them for what they refuse to face in themselves. As polite smiles crack and old grudges resurface, Raven’s Cross’s genteel mask begins to slip, revealing the rot beneath.

Performer Emily Woo Zeller coneys the story perfectly and has created an array of voices that fit the characters well and just as important, can easily be recognized. Todd’s story doesn’t rush, taking the time to build the scenes, and the suspense, before jumping you when you least expect it.

Get your copy at https://www.toddbrownwrites.net/


RIFFS

“Tissues” (music)
This new from ALT BLK ERA has such a slick vibe to it with a mix of different sounds, creating a great musical atmosphere. I really dug this one, and am excited to check out their upcoming EP, “Our World,” coming out on May 22.

Check out more at www.altblkera.com.

“Labyrinth” (music)
The sound of “Labyrinth” by Zhaklina ft. Anastasia Elliot, is as haunting as it is beautiful, an epic blend of music that builds up as it goes and punches through right to your core. The song focuses on breaking free from the hold of unhealthy patterns and relationships that blur the line between devotion and self-erasure, inspired by the imagery of nightmares and the disorientation of grief, and one can feel the power that flows through it.

You can explore the work of both artists at http://www.zhaklina.com/ and www.beacons.ia/anastasiaelliot 

Ink and Riffs

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

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“Beneath the Trees Where Nobody Sees: Right of Spring” (comic)
This sequel to the 2024 release of this truly addictive title continues the story of Samantha Strong, everyone's favorite brown bear who runs the town hardware store. Just one thing: Samantha’s s serial killer with dozens of bodies buried in the woods, and no one’s safe—even the residents of the town of Woodbrook, where she calls home.
When the sister of one of Samantha’s victims comes to Woodbrook seeking answers, Samantha is only too happy to help….wait, what? Well, this one’s going to be interesting, and I tore through the issues to get to the absolute mind-blowing ending.
Check out more about the series at https://tinyurl.com/4jsrna4y.







“Making it So: A Memoir” (book)
I’ve been loving Patrick Stewart’s autobiography. “Making it So” covers his entire life, beginning with his childhood in the small town of Mirfield, England. I’m at the part where Stewart discovers his love of acting and we begin to see the direction his life is taking.
The book is really amazing. He holds nothing back, giving the reader such detail that it effortlessly paints the picture. He speaks to the good and the bad, such as the difficult home life caused by his father, and how it impacted him years later. Being a fan of Stewart’s work since “Star Trek: The Next Generation,” I was very happy to get this book for my birthday and cannot wait to see what’s on the next page.
You can find this book at your favorite book retailer.

RIFFS

“War Child” (music)
Pop-rock artist Mick Rochford’s “War Child” brings us the story of loss of children in wars. This is a powerful and heartfelt story with a message we should all hear. “You didn’t know my name, but you kill me all the same” is such a strong line, one of many that you find in this single.
Follow Mick on Instagram at rochfordmick.

“Primadonna” (music)
“Primadonna,” by Donna Dafi really drew me in and kept me listening with its strong, eclectic pop sounds. Dafi draws on her German, Nigerian and Albanian roots, and I got a sense of power throughout the song. The music has the kind of energy and passion that can’t be ignored.
Learn more about Donna’s music by following her on Instagram at donnadafi.

Ink and Riffs

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

INK

“The Night Birds” (book)
I recently came across the audio version of this horror novel by Christopher Golden. Set in a deteriorated, half-sunken freighter ship off the coast of Galveston, Texas, “The Night Birds” is a great atmospheric horror tale of witches, promises, and a destiny that calls for the sacrifice of the most innocent among us.

The story is centered on Charlie Book and Ruby Cahill, whose love ended with the death of their unborn child. Now, the two find themselves facing off with a coven of witches who are demanding the child to bring a dark god into this world.

I really loved the pacing for this book. Christoper doesn’t just dive into the scary parts, he takes his time to introduce us to the characters, making them matter more to the reader.

The voice acting by Patricia Santomasso, Sean Patrick Hopkins is just amazing and really shows the depths of their talent as they bring this creepy story to life.

Check out this and the other books by Christopher Golden at https://www.christophergolden.com. 

 

“Sacrificers” (comic) 

Imagine a world where all the elements of this world are all kept going by a pantheon of god-like beings. But they are not immortal — until a way is devised to throw off the shackles of mortality, with the very people they’re meant to protect used as fuel. That’s the world of “The Sacrificers,” an ongoing series from Image Comics.

I was immediately drawn into this comic by Max Fiumara’s engaging artwork. The world he creates is powerful and diverse. From the different forms of the “gods” that we’re introduced to, to the many races of the world, there’s always something new and interesting. But let’s not forget the imaginative story that Rick Remender has given us. The protagonist Pigeon is broken by the world, but still determined to keep moving to protect those most precious to him. The twists and turns are keep you hooked and looking to the next issue.

Check out the series at https://imagecomics.com/comics/series/sacrificers.


RIFFS

“Underneath the Willow Tree” (music)
Bella Dose’s “Underneath the Willow Tree” is an absolutely beautiful song, and the perfect way to open this playlist. The instrumentation is elegant, and the vocals wonderfully captivating. Written during a trip in Nashville, the song blends acoustic folk pop with soothing vocals and explores themes of healing and emotional release.

Check out the group at https://belladose.com.

“Between Then and Now” (music) 

This four-song EP from 19-year-old fiddler, singer, and multi-instrumentalist Irish Millie is both inspiring and passionate. From the opening track “Allison,” we’re presented with the kind of song that fires you up. The violin portion is so damn powerful and I can easily see myself dancing to this one. “Wasted” is another amazing song, written from the perspective of a gratitude that comes with growing up and the connections to home that we don’t always treasure until we’re away. Not surprisingly, the album received two Canadian Folk Music Award nominations, and I really want to hear what’s next.

To learn more, visit her Spotify site.

Ink and Riffs

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

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The Cape (comic) 

I really dug the omnibus version of “The Cape” by Joe Hill. We always associate capes with heroics, but what if the one wearing the cape was the villain? That’s the case with Eric when he realizes his childhood cape — the one he used to play superheroes with his brother as a child — actually gives him the power to fly. Does he use this gift to save lives? NOPE! He’s cruel, selfish and heartless….in other words, the perfect villain. It’s a hell of a journey and with the additional books included in the omnibus, it really fleshes out the story. 

The Hunger and the Dusk (comic) 

I’ve been working my way through Book 2 of “The Hunger and the Dusk.” The new arc picks up right after the first one ends and shows the impacts of choices made by the characters (no spoilers!). I really liked the pacing of the story and the various perspectives show. Like I said, the choices made have a lot of effects on both sides, and the story gives a clear picture of what is happening.

The art is just amazing! I’m a big fan of fantasy stories and this one hits all the marks. Fluid action, a diverse color palette and characters that really reflect who they are on the inside. I loved the designs and want to see what happens next!





RIFFS

“Smoke” (music)

“Smoke” from singer-songwriter Henry Lees was such a hit in my ears. The funky new release with a romance-themed story is instantly relatable and the sound is just a pleasure to hear. The sounds just relax you and kick you up the same time.

“Walking Around This Town” (music) 

The latest album by Bernie Barlow is a great collection of powerful, catchy folk/rock music. After hearing “Brave,” one of the tracks from the album, I decided to check out the rest and thoroughly enjoyed it. The atmosphere it creates is one of intense lived experience through the lens of strong vocals blended with a great range of folk and rock sounds.

“Brave” is a great opener for the album, and I really dug the melodic vibe of “Don’t Wake Me Up.” The songs really have a diverse sound, some really chilled and others more rock-infused and the album gives the ears a lot to enjoy.

Lindsey Stirling to hit the road for Duality Unleashed 2026" summer tour

photo credit: Shervin Lainez

Global phenomenon Lindsey Stirling, the trailblazing multi-platinum electronic violinist, dancer, and aerialist, announces her new Duality Untamed Tour 2026with special guest PVRIS, a 32-date North American run launching in Richmond, Virginia. The tour will bring Stirling’s genre-defying live show to major markets including Boston, Washington, DC, Phoenix, Seattle, Los Angeles, Kansas City, Nashville, and Chicago. Tickets for the tour will be available for presale beginning Tuesday, Jan. 27; with public onsale starting Friday, Jan. 30 at 10am local. Please visit www.lindseystirling.com/tourfor more information on tickets and VIP sales.
Lindsey Stirling is an artist who stylishly blends sonics with visuals. From her arresting mixture of pop, classical, and electronica, to her meticulous attention to impactful, thematic albums and videos. Artistically, she defies categorization. You can easily find her studio efforts at the top of Billboard’s Top Dance Electronic Album chart, Classical Albums chart, and the all-genre Billboard 200 list. She is the rare artist, especially in the new millennium, to have amassed instrumental AC radio hits.

The tour is named after Stirling's most recent studio album, Duality, another experimental opus that embraces Stirling’s indie music spirit, and features guests such as Royal & the Serpent and Walk Off the Earth. Stirling makes brilliant use of Duality’s extravagant soundscape by exploring intricate questions of intuition and truth. “Eye Of The Untold Her” was used in Suni Lee’s gold & bronze medal winning floor routines during the Paris summer Olympics.

Stirling stays on the pulse of social media as well, amassing 14.3+ million subscribers and over three billion views on YouTube. She also has over 5.2M followers on Tik Tok, and 4.2M+ on Instagram. It’s no wonder that Forbes placed her at #4 on its 2015 World’s Top-Earning YouTube Stars list. In a career spanning more than a decade, Stirling has sold more than 1 million headlining concert tickets.

About PRVIS
Hailing from Boston, MA, PVRIS - the creative project of vocalist/instrumentalist/songwriter, Lyndsey Gunnulfsen (aka Lynn Gunn) - focuses on artistry, emotional resonance, and story-telling in her music. Rather than be tied down to a specific genre, PVRIS has always explored a diverse, eclectic mix of sounds, resulting in a genre all their own.

PVRIS took the unconventional approach of disengaging completely from the public eye to write/record their new album, EVERGREEN. Weary of seeing how modern culture has become so dependent on the internet, social media, instant gratification, and the ever-present “algorithm,” Gunnulfsen embarked on a journey of reflection, meditation, and self-discovery. The result is a body of work that feels timeless and refreshing.

Lindsey Stirling Duality Untamed 2026 Dates w/PVRIS
*not yet officially announced

Tuesday July 7 – Richmond, VA – Allianz Amphitheater at Riverfront
Thursday July 9 – Wantagh, NY – Northwell Health at Jones Beach Theater
Friday July 10 – Bethel, NY – Bethel Woods Center for the Arts
Saturday July 11 – Holmdel, NJ – PNC Bank Arts Center
Monday July 13 – Saratoga Springs, NY – Saratoga Performing Arts Center
Tuesday July 14 – Vienna, VA – Filene Center at Wolf Trap
Wednesday July 15 – Boston, MA – Leader Bank Pavilion
Friday July 17 – Raleigh, NC – Red Hat Amphitheater
Saturday July 18 – Charlotte, NC – Skyla Credit Union Amphitheatre
Monday July 20 – St. Augustine, FL – The St. Augustine Amphitheatre
Tuesday July 21 – Macon, GA – Atrium Health Amphitheater
Wednesday July 22 – Nashville, TN – Ascend Amphitheater
Thursday July 23 – Brandon, MS – Brandon Amphitheater
Saturday July 25 – Grand Prairie, TX – Texas Trust CU Theatre
Tuesday July 28 – Phoenix, AZ – Arizona Financial Theatre
Thursday July 30 – Los Angeles, CA – Greek Theatre
Friday July 31 – Lincoln, CA – The Venue at Thunder Valley
Saturday August 1 – Bend, OR – Hayden Homes Amphitheater
Monday, August 3 – Woodinville, WA – venue TBA*
Tuesday August 4 – Nampa, ID – Ford Idaho Center
Wednesday August 5 – Idaho Falls, ID – Mountain America Center
Friday August 7 – Casper, WY – Ford Wyoming Center
Saturday August 8 – Colorado Springs, CO – Ford Amphitheater
Monday August 10 – Kansas City, MO – Starlight Theatre
Tuesday August 11 – La Vista, NE – The Astro Amphitheater
Thursday August 13 – Waite Park, MN – The Ledge Amphitheater
Friday August 14 – West Allis, WI – Wisconsin State Fair
Saturday August 15 – Rosemont, IL – Rosemont Theatre
Tuesday August 18 – Cuyahoga Falls, OH – Blossom Music Center
Wednesday August 19 – Sterling Heights, MI – Michigan Lottery Amphitheatre at Freedom Hill
Friday August 21 – Grand Rapids, MI – Acrisure Amphitheater

Saturday August 22 – Indianapolis, IN – Everwise Amphitheater at White River State Park

Ink and Riffs: Epic adventures and honest explorations

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

Not Your Type (Music)
Having heard her recent single, “Villain 2.0,” I wanted to check out the rest of the music from singer-songwriter Leanne Galatti, and her latest EP is a great listen. “Not Your Type” brings a seasoned sound, a blend of folk, rock and a bit of pop sounds, with Galatti’s powehouse vocals a solid accompaniment.

The aforementioned single is among the four track in the EP, a realistic look at relationships and being honest about your role and what you did. I really liked this take on the love song and feel it as something different to offer.

One cool aspect is the varied instrumentation, with “Villain 2.0” featuring a great piano track and the opening song “Standoff” giving a kickass saxophone player. Definitely something cool to hear.

Outer Lands (Comic)
What begins as a historical epic unexpectedly turns into a post-apocalyptic thriller. When a young prince living in a seemingly Ancient Grecian world is exiled to a prison isle to keep him from assuming the throne, he unintentionally discovers a massive global conspiracy in this science-fiction fantasy mash-up.

This has been such a great comic, and I can safely say I’ll be reading it again. The story by writer Matthew Arnold kept me hooked and I read the whole thing in a couple of hours. It takes a twist that I did not see coming, and the worldbuilding shows a lot of work and research. The art by Davide Gianfelice is incredibly detailed, and adapts well to both daylight and evening scenes, really bringing the tale to life.

Witness Titanic (Podcast)
I’m a huge fan of the history of the Titanic, having read books and visited museums. Following my visit to the Titanic museum in Cobh, Ireland, I knew I wanted to learn more, and this podcast, hosted by Titanic researcher James Penca, has a lot to offer.

The series takes the form of a formal inquiry, with interviews with Titanic researchers and experts, to reading statements made by the survivors of the sinking. It covers a lot, from what it means to see the ship today, to uncovering the truth about what caused this maritime tragedy in 1912.

Ink and Riffs: Murders, music and magic

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com. 

Beneath the Trees Where Nobody Sees (comic)
Without a doubt, this has been one of the best comics I’ve read in some time. Here’s the story:

Don’t. Murder. The locals.

This is small-town serial killer, upstanding citizen, and adorable brown bear Samantha Strong’s cardinal rule. After all, there’s a sea of perfectly ripe potential victims in the big city just beyond the forest, and when you’ve worked as hard as Sam to build a cozy life and a thriving business in a community surrounded by friendly fellow animal folk, warm decor, and the aroma of cedar trees and freshly baked apple pie…the last thing you want is to disturb the peace.

So you can imagine her indignation when one of Woodbrook’s own meets a grisly, mysterious demise—and you wouldn’t blame her for doing anything it takes to hunt down her rival before the town self-destructs and Sheriff Patterson starts (literally) barking up the wrong tree.

This was the original graphic novel debut by writer-artist Patrick Horvath, and I gotta say, he’s off to a hell of a start. The story was dark, tense and kept me guessing until the twist (and twisted) ending. The art reminds me of the books I read as a kid, which really just serves to make the whole thing even more surreally creepy. Read this one and then check out the new sequel series.

Work in Progress (music)
I’ve been a huge fan of the music of gavn! for some time, and this new album, “Work in Progress,” is a great example of his skill with music and vocals. The flow of the seven-track EP is powerful and passionate, from the opening track, “Eventually,” and continues throughout.

“Dead to Me” really stood out to me, with a story of the challenges of moving on from a person that needs to be left behind. I’ve been there a time or three and know firsthand how hard this can be.

The album shifts around a bit, with the more mellow “Shame” that slows things down a bit but maintains that same strength. The vocals are a real high point for me, with an intensity that draws you right in with a shared emotional experience.

This album is a high recommendation from me. You’re going to find yourself immersed in the stories and with this delivery, it’s sure to be a favorite.

Island Eight (Book)
Written by M.Z. Medenciy, “Island Eight” is the first in the Ataraxia Series and from what I have read so far, is one to be watched. Here’s a look at the story:

In a world on the verge of repeating a cataclysmic history, Sophia, an entertainer from the town of Salinas, unknowingly holds the keys to the world’s salvation. Yet, she turns a blind eye to their king’s tyranny to ensure her happiness. But not even the gods can protect her when the eyes of the castle shift directly to Salinas. After narrowly escaping death with the aid of a mysterious man who whisks her away to once forbidden lands, Sophia is unwillingly sucked into the brewing war with which she wanted nothing to do.

One thing that I really liked about the story is that it balances the seriousness with a good dose of humor and personality. There’s plenty of light-hearted moments that break up the tension and M.Z. weaves these different parts together perfectly. The result is a very organic tale with very realistic characters.

I can see that a lot of world-building went into this, not just the different cities, magical beings and legends, but the people themselves. Even if they’re not the main characters, each person has something that makes them unique and keeps the story moving forward. I’m really looking forward to the rest of this book and the series as well.

Ink and Riffs: Daydreams and doomsday scenarios

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com. 

Jadelyn, “Daydream Diaries” (music)
I first heard Los Angeles-based Jadelyn’s music when she released “Throw it Back,” and was immediately hooked. When I came across her recent LP, “Daydream Diaries,” I immediately gave it a listen.

The five tracks cover a lot of ground, from “Throw it Back,” a tribute to the best times of yesterday and “Halfway Out the Door,” which touches on love lost that is made all the more painful for all the memories made.

The album title really encompasses the different tales—a musical journal remembering what came before, the things from the past we sometimes think about when something from the present reminds us.

The sound of the album is a slick pop style that shifts around from song to song. The core sound remains in the same lane, but weaves around with a mellow sound to one song and into a real foot-tapper in the next.

I really enjoyed Jadelyn’s vocals—a skillful, melodic voice that’s easy to enjoy. Looking at her discography, she’s been very active since releasing “Hard” in 2020, and her vocals have an essence of experience and passion for the music.

The Sacrificers (comic)
Imagine a world where the sun, moon, water, and more are all kept going by a pantheon of god-like beings. But these are not meant to be immortal dietitians. No, they’re meant to bond, have children, and die, leaving the next generation to take over.

Now imagine how these beings could throw off the shackles of mortality, and what—or who—it would take to make this happen, and what transpires when one supposed sacrifice says “No.”

That’s the world of “The Sacrificers,” an ongoing series from Image Comics, by New York Times-bestselling writer Rick Remender (LOW, DEADLY CLASS, Uncanny X-Force) and artist Max Fiumara (Amazing Spider-Man, FOUR EYES, Lucifer).

I was immediately drawn into this comic by Fiumara’s engaging artwork. The world he creates is powerfully emotional and diverse in its design. From the different forms of the pantheon that we’re introduced to, to the many races of the world, each page has something new and interesting to offer.

But let’s not forget the imaginative story that Remender has given us. The protagonist Pigeon is broken by the world, but still determined to keep moving to protect those most precious to him. The twists and turns are organic and keep the story moving at a strong pace.

Give this one a read—you won’t be disappointed.

Burn to Shine (audiobook)
The latest chapter in the Joe Ledger series by Jonathan Maberry continues in his unique nail-biter of a writing style. I’ve been a fan since the beginning and was eagerly awaiting the new release. Here’s a look at the story that awaits:

A covert group is infiltrating the world’s most secure bio-weapons research sites. All across the country, people are acting as human ‘disease bombs’ by infecting themselves and walking into public places. And heavily-armed groups of illegal private soldiers are massing for some unknown strike.

Joe Ledger and the members of Rogue Team International, still reeling from the devastation and heartbreaking losses of their last mission, are forced into relentless action to try and save the country, if not the entire world.

Old enemies are rising and joining forces to hit Joe and his team with one devastating blow after another. What is the end game for all of this madness and terror? Outnumbered, outmaneuvered, and outgunned, Joe Ledger has to find a way back from the fires of grief in order to make a stand between these enemies and millions of potential innocent lives. But Joe has allies, too. His team, the vicious fighters of Arklight, and friends who may or may not be entirely human.

I opted for the audiobook, though the physical book was also purchased, because Ray Porter is an absolute legend in the world of voice acting. He captures the complex emotions of the story, from the more lighthearted moments to when all seems lost and the darkness is closing in.

One things I’ve loved about Porter’s work is how he does the different voices, which range in tone, race, and gender. He does it all well and it’s clear he spends a lot of time crafting the real-life sound of each character. Check out the entire series, it’s an amazing listen.

Ink and Riffs: Deep sea horrors and fantastic worlds

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com. 

“Into the Drowning Deep” (Audiobook)
The audiobook version of this deep-sea horror, written by Mira Grant, had me hooked (no pun intended), right from the beginning as we’re introduced to a found-footage style recording of an attack by mermaids. Yep, that’s what’s happening here.

The story follows Tory Stewart, a sonar specialist who becomes obsessed with mermaids after her sister's disappearance. Tory's sister Anne worked as a reporter for Imagine Entertainment. While filming a mockumentary about mermaids, the crew of Imagine's ship Atargatis vanished. Tory vows to discover the truth about what happened to her sister, and when a second scientific expedition is commissioned to discover what happened, she joins up without hesitation.

Needless to say, things will not go as planned.

The delivery of the story by Christine Lakin is absolutely perfect. Lakin does the different voices effortlessly and really captures the feelings of the story, whether that’s love, sorrow, or bone-cutting fear—especially that last one. I’ve been turned off by lackluster narrations in the past, and this one had the opposite effect. A solid listen to a truly terrifying tale.

“The Hunger and the Dusk” (comic)
I’ve been a fan of fantasy for years, so when I saw the cover of this IDW title, I had to read it. So before I get into G. Willow Wilson’s awesome story, let’s talk about the amazing artwork by Chris Wildgoose.

The art is so damn good, with every color on the palette, laid out to create beautiful, detailed scenes that always capture the attention. I especially liked the diverse character designs, from the clothes to the creatures to the weapons. You can tell Chris is a fantasy aficionado.

Now, onto the story. In a dying world, only humans and orcs remain—mortal enemies battling for territory and political advantage. But when a group of ancient humanoids known as the Vangol arrive from across the sea, the two struggling civilizations are forced into a fragile alliance to protect what they have built.

The tension is high in this series, as humans and orcs fight not only the Vangol, but each other, as they strive to maintain the uneasy peace. This is shown in the relationship between Callum Battlechild, who leads The Last Men Standing, and orcish healer Tara, who both have to speak for their respective races and make this alliance work—because the fate of all rests in the balance.

I recently finished the first volume of the series, and cannot wait to see what happens next.

“Ben Huchenson” (music)
After hearing singer-songwriter Ben Hucheson’s new single “Almost There,” I decided to check out his self-titled 2022 album. Trust me, this one is worth listening to.

Ben’s got an amazing voice, and delivers a lot of stories over the 12 tracks, from a treasured relationship in “Thinking About You” to “Poison,” an upbeat, high-energy tune that warns of someone to watch out for. “Faith” is a really powerful song and my favorite off the album.

The music is really catchy, an easy-listening folk sound that puts one at ease in some tracks and gets the feet tapping in others. I can easily see Ben on a stage, the audience singing along with each song.

Ben’s been singing for some years now, and described as “wise beyond his years” by Julianne Regan (All About Eve). I think that sums it up perfectly. Ben sings with the voice of a seasoned traveler, but with the energy of someone in the early stages of their journey. The stories in the songs are instantly relatable and delivered in a way that you can’t ignore—and you really shouldn’t, because this is one musician to keep an eye on.

Ink and Riffs: Dark dreams and chainsaw music

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com.

“Seeing Evil” (book)
This thriller by Jason Parent is centered on Michael Turcotte, a teenager who gains the ability to see the dark futures of others following a violent assault. The visions continue and eventually come to include Fall River Detective Samantha Reilly, who rescued Michael as a child following the deaths of his parents.

Eventually, Michael’s visions get him tangled up in the investigation of a suspected serial killer—one with a chilling connection to Michael and Sam.

This book was just amazing to read and at times I cursed having to go to work. Jason has a unique ability to not only craft a detailed scene, but take us into the minds of his characters.

Through the chapters, we really come to know Michael, Sam, and even the more minor characters and see what makes them tick. It serves to keep the reader hooked as they become more invested in their fates.

Another strong element of the book is the grisly, graphic details that Jason includes. Nothing is left out and this makes for powerfully impactful scenes that leave fans of the thriller and horror genres hungry for more.

“Angels” (music)
I’ve been a fan of the band RinRin since I heard their single “Shadows,” and this album is everything that makes this band my musical addiction.

The music is a great array of rock and metal, with some cool additional sounds layered on. “Angels” is a great opener, a solid musical punch to the face that’s followed up by “ChainsawGirl,” a really intense tune for a lot of reasons. The six-track EP has a lot more to offer, though, with all kinds of different sounds and stories.

“Angels” is a solid offering from a band that’s really hit their stride, and I’ll definitely be checking out the other releases that I’ve missed.

“Deep State” (comic)
Written by Justin Jordan with art by Ariela Kristantina and published by BOOM! Studios, “Deep State”follows John Harrow and his partner Agent Branch, as they investigate weird science, unexplained phenomena and all sorts of X-Files-esque oddities. Just the sort of comic I like to read.

I grew up watching “The X-Files” and “Men in Black,” so this story really got me. I finished the entire collection in a few days, and though it ends on a cliffhanger, I didn’t feel like a lot is left unexplained. I really liked all the different cases Harrow and Branch went on, from a Russian Cosmonaut infected with an alien tech virus to a gun that can fire bullets through time. Really cool stuff.

The overarching storyline of The Control, which runs the agency Harrow and Branch work for, was a cool element that smoothly develops alongside the shorter case files and really comes to a head in the later issues.

The art is really good, with sharp colors and a wide array of designs for the weird science and alien beings. You can tell Kristantina really dove into this and had some fun creating the world of “Deep State.” This comic has been a blast to read and I’m hoping we’ll see a return someday.

Ink and Riffs: Vampires, ghosts and debut albums, oh my!

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to. Send suggestions to citywidemax@yahoo.com. 

“Impact Winter” (Audiobook)
I came across this audiobook series one day and thought “Why the hell not?” And damn, am I glad I did.

From executive producers of The Walking Dead and Travis Beacham, the writer of Pacific Rim, this Audible Original is set in the near future and seven years since a comet hit the earth and blotted out the sun. The world is a dark, frozen landscape. And then, beastly creatures emerge and take over. Can they really be vampires?

This series includes an absolutely amazing cast, plus great music and sound effects. The voice cast is really good, and clearly experienced. They really dive into their roles and owned them right from the beginning. The music, which includes full songs from different bands, sets the scenes perfectly and the sound effects paint a very complete picture.

The story is very well-written and the twists and turns keep you hooked. I’ve finished the first two volumes and am currently on the third one now, and really looking forward to how the story ends.


“Say Something” by Ashley Elle (Music)
Ashley Elle’s first EP, released last December, came to my attention through my Blackout Collection playlist. “Conditions” was on the playlist and I decided to check out the rest of the album.

Ashley has such a great voice and it really flows through songs like “They Always Come Back” and the title track. This folk/pop artist has released a number of singles since 2021 and “Say Something” is her first album release, so I suppose it’s fair to say she’s still in the early stages of her music career. If this album is any indication, she’s got a bright future ahead of her.

This seven-track album showcases a lot of Ashley’s versatility within the genres. “Falling” has a pretty upbeat sound while “Save Us” is more mellow. “October” is one of my favorites. This has a very layered folk sound that drew me right in. That’s something I really like about this album—the music really varies song to song, and we see the range that Ashley works with.

Overall, this album has a lot to offer, and I hope there’s a lot more to come.


“Grammaton Punch” (Comic)
I’ve talked about this comic before in a previous Citywide Blackout episode, back when it was first released. Written by Miles Gunter, with art by Briane Andan, colors by Lee Loughridge and letters by Taylor Esposito, this limited series is available on ComiXology and definitely worth reading. Here’s a look at the story.

“Born on an eclipse, Van Nguyen has the ability to see ghosts that feed off the energy of unsuspecting adults. Unfortunately being "extra" makes him a target for these evil spirits but what he soon realizes is- Van can fight back.”

This series is sharp, witty and very human in its delivery. Van is a great hero, not because he’s always winning, but because he has plenty of challenges that he has difficulty overcoming. You feel a lot for the guy, especially in one part that you need to see for yourself.

The art is just brilliant, with a wide range of colors, varied and unique designs for all the characters and detailed scenes that are worth a second look. I loved all the designs for the ghosts and each one stood well on its own.

“Grammaton Punch” is a great—and often dark—ride into a world where punching ghosts in the face is just plain awesome.

Ink and Riffs: Love, family and country tunes

Ink and Riffs is a regular review series written by me, Citywide Co-Host Max Bowen, to talk about what I’m reading and listening to and why I think it’s awesome. Feel free to send suggestions to citywidemax@yahoo.com. 

“Hannah: A Soldier’s Diary” (audiobook)
This recently-released musical audiobook tells the story of Hannah, a young woman who falls for Jack, a soldier who’s about to be deployed to Afghanistan. Their love is brief, but powerful, and determined to survive months of being apart—no matter what.

Written by veteran playwright and author Steve Wallis and voiced by actress/musician Zoe Wright, this audiobook, which tracks at around one hour and 40 minutes, is absolutely stunning and kept me hooked from the first chapter. The story is beautifully told by Wright, who takes on Hannah’s role as if it’s her own life she’s recalling. The emotional ups and downs, the feelings of love from a random encounter, it all comes through so naturally.

One unique aspect of this story is that each chapter has a song paired with it. The songs really capture the feel of the chapters and add a great element to an already superb audiobook.

“Brownstone” (comic)
Written by Samuel Teer, with art by Mar Julia, “Brownstone” (Harper Alley) follows Almudena as she meets her biological father for the first time at the age of 14.

Normally a challenging situation, this meeting is made far more so that Almudena, who is half-Guatemalan, doesn’t speak any Spanish (her father also speaks almost no English) and knows nothing of her heritage and feels like an alien among her own people. The journey is one of discovery, not only of a father and daughter learning about each other, but of Almudena learning just who she is.

The story is paced well, with many hurdles before Almudena begins to feel at home. As she learns about her father and why he left right after she was born, she also becomes more in tune with the culture that she never knew, little by little. She also sees how gentrification by white landowners is forcing many of her people to leave, breaking apart friends and families, and sees the intolerance of those coming into the neighborhood.

The art is equally detailed, with vibrant portrayals of the community and its people. I loved taking the time to really explore scenes of the neighborhood, homes and businesses. There’s a lot to take in and it’s worth pausing on a page to do so.

“Brownstone” is describe by one reviewer as “with a scrappy heart of gold,” and I wholeheartedly agree. There’s real heart in this story and getting to the end had me hoping there will be a volume two someday.



“Wanted Man” (music)

This August release by country artist Trey Calloway is big reason that I got into the genre. The music is skillfully done, with a lot of heart, a layered sound and one of the best voices I have heard. Not a surprise that he’s been doing this since 15 and racked up a number of awards in that time.

Trey’s music covers a lot of ground. Some of the nine songs on this album deal with love, but from different angles. “You Don’t Need a Woman” speaks to how you don’t always need love until you really do, while “Miss Gone By Morning” is about that one lady that never stays put for anyone.

“That Was Us” is one of my favorites, a look to the past and the good times they remind us of. “Forgotten Man” is a look at the working man who does so much that is never seen, while “Horses in Heaven” really got to me in a personal way.

One aspect of Trey’s career is that he’s lived in a number of places, from his hometown of Lucia, North Carolina, to Nashville, Tennessee, where he lives today. This leads to the notion that he has a “traveling man” sound to his music, the voice of someone who’s seen a lot and wants to share the story.

Trey is an exceptional artist, and still in the early years of his career (his first release was “One Tough Job” in 2020). This album really speaks to his skill and I look forward to what comes next.